Sunday, 21 September 2014

Groundswell Public Art Installation

Suzanne Davey, Groundswell, recycled clothing, resin, paint, steel, 350cm x 800cm x 400cm

Groundswell is an energetic public art installation created for the ENLIVEN festival, Mona Vale. The work was commissioned by Pittwater Council and was made in partnership with the charity Lifeline.

Made from donated recycled clothing Groundswell is a suspended installation made from pants of all shapes and sizes. Lots of legs appear to be surging forward, walking and running, and hopefully creating a ripple in the local community.

The work draws inspiration from the site. Davey states, “ As soon as I saw the Lifeline Centre in Bungan Laneway and its recycled clothing I knew exactly what I wanted to do. To me Lifeline is all about reaching out to life and connecting with others for support. Clothing is all about people and living.”


Special thanks to Lifeline for their generous donation of clothing.

Groundswell installation , shadow detail

Family enjoying the Groundswell installation at the ENLIVEN festival

Rear view detail, Groundswell installation

Detail, Groundswell

Window reflection, Groundswell

Monday, 1 September 2014

The Echo of Invisible Things HIDDEN


Suzanne Davey, The Echo of Invisible Things, clothing, resin, paint, 240cm x 60cm x 60cm

The Echo of Invisible Things is a memorial column, dedicated to human fragility and vulnerability. It is a response to contemporary narratives of abuse, homelessness, abandonment and neglect by public institutions.  The work uses a a classic architectural element to reference institutions such as churches, temples, museums, theatres and government.  Clothing is utilised as a social and cultural signifier of identity, memory and our psychological ties with others. The clothes are traces of the bodies that once wore them, mementos to individual and collective lived experiences; an echo of tragedy.

 

Installed in Rookwood Cemetery the work references memorial and funerary architecture such as chapels, arches, churches and temples.



Above: Clothing detail, Suzanne Davey, The Echo of Invisible Things, clothing, resin, paint, 240cm x 60cm x 60cm





Wednesday, 6 August 2014

Sweet Surrender




Suzanne Davey, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm


A protective response to the fragility of the delicate ecosystem of Stony Range; captured, completely surrounded and held to ransom by the encroaching urban environment.

 A site specific work installed in Stony Range Regional Botanical Garden 2014.





Overhead installation view, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm

Installation detail, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm

Ceramic detail, Sweet Surrender, ceramic, metal

Installation view, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm